Sunflowers

Sunflowers, 18x24 work in progress

I have been working on these sunflowers some more this week. It is hard to find just the right shadow color for the big one that is back lit. I've tried several things and am still not quite happy with it.

I'm also really noticing a distortion from my camera; I'm getting a 'fish eye' sort of look, this shot isn't too bad but on some it has been real noticeable. I'm sure it's just a camera setting or something. Will just have to play with it some more.

I'm using Chroma's Atelier Interactive Acrylics. I like how I can blend one layer into the next, but I am giving some serious consideration to trying out some of the new water miscible oils. If you have tried them, please tell me what you like or don't like about them, or if  you prefer one brand over another and why.

Sunflowers

Sunflowers, 18x24 work in progress

One day in Italy we were driving to Sarnano to see the Carlos Crivelli exhibition and as we came around a corner we happened on a field of sunflowers in full bloom. Working from a photograph I took, here they are.

First I drew them, them went over the drawing with diluted regular black acrylic, adding some shading.

Sunflowers, 18x24 acrylic on canvas, work in progress

After the that I washed Raw Sienna over the canvas, lifting out some of the areas that should be the lightest.

Sunflowers, 18x24 acrylic on canvas, work in progress

Here I've begun working on the sky, mostly Cerulean and white with touches of French Ultramarine and Cobalt.

Sunflowers, 18x24 acrylic on canvas, work in progress

Then I darkened it at the top with more Cobalt. I went over the lightest petals of the main flower with white.

I've used some burnt umber and nearly every yellow in my paint box to start on the flowers. Slowly working my way down the canvas.

Bell Peppers

Tonight I decided to try out some more of the handmade paper that I bought at the paper making museum in Fabriano. This is colored a light green and has a smooth side and a rough side. I used the rough side. This quick study of bell peppers was done in Atelier Interactive acrylics. I didn't use much water with them because the paper is pretty thin and I didn't want it to buckle.

This one is done on the same paper with soft pastels and pastel pencils. I don't have a large selection of pastels so I don't have a lot of colors to work with, this was about the best I could do with what I have.

These were inspired by the exhibition I saw in Ascoli of Giulio Gabreielli's (1832-1910) work. He mostly used guache or oil on paper and worked in small sizes. It was really cool to see his little sketchbooks. Also very cool was the fact that many of the buildings and landscapes he painted are still there, in some cases little changed from when he painted them. The exceptions are the additions of electric lines and the exchange of donkeys and horses for cars and motorbikes.

Early Morning in Montidinove, finished

Early Morning Montidinove, left side

Early Morning Montidinove, right side

Well I think I am about finished. If you are just joining me, this is an Early Morning in Montidinove, Italy.  Each diptych panel is 12x24 inches, Atelier Interactive acrylics on canvas. I have posted the panels as separate photos so you can click on them and see them larger than if I posted them in one photo together.

Now out to do a little gardening while I think about the next one!

Early Morning in Montidinove, almost finished

Early Morning Montidinove, work in progress

I think I am nearly finished with this. Here I've straitened up some bits on the pink and white buildings. The perspective isn't quite right on them but I'm going to leave it. I did raise the street in front of the pink building and it does look better now.

Before I washed that right hand building with the purple mix I had coated it with binder medium so it wouldn't lift the layers under neath. Unfortunately the medium is a bit shiney so now I'm getting some glare. Also the area is a little darker than this in real life. 

Early Morning in Montidinove Work in Progress

Early Morning Montidinove work in progress

Here I've been working on the cobblestone street and small details here and there.

Early Morning Montidinove

I wanted the foreground building on the right to be in a darker shadow (and it actually is darker than it's showing up here) so I washed over the whole area with a mixture of Indigo (blue-black) and Quinacridone Red Violet. I then restated the texture. I also adjusted the perspective of the window sills. Then painted over the shrubs and flowers.

The dark shadow area on the street is not black but a combination of Indigo and Burnt Umber. For the cobblestones in that area I just added white. For the cobblestones in the sunny areas I washed the street with a lighter mix of the cobblestone color, then lightened it up with Titanium White and Naples yellow to add the cobblestone texture.
 
I brightened up the pink house a bit with Vermillion+Titanium White and added some white to lighten up the house next to it.

I see a few more bits I need to tweek, mostly small details but I am very pleased with how this painting is turning out.

Early Morning in Montidinove Street Scene

Early Morning in Montidinove  work in progress

I have begun  a painting from one of my photographs, an early morning street in Montidinove. This is a diptych, each panel is 12x24 inches.

First I drew most of it out in pencil. I skipped all the modern electric lines and street signs. Then I went over it in diluted acrylic.

Early Morning in Montidinove, work in progress

Then I toned the canvas with diluted raw sienna.

Early Morning in Montidinove, work in progress

Then I worked on the shading with diluted burnt umber. All of this was done with regular fast drying acrylics.

Early Morning in Montidinove work in progress

Then I broke out my Chroma Atelier acrylics. These are acrylics that can be re-wet and reworked even when touch dry. I like how the new layers of paint melt into the first layers. I think it builds up the color nicer than with regular acrylics.



Here I've begun on the sky, at the very top is a little cobalt blue.

Early Morning in Montidinove work in progress

Then I began adding Cerulean mixed with a little Titanium white as I begin going down the sky, adding more and more white as I go, going back and forth blending it in.

Early Morning in Montidinove work in progress

Towards the bottom of the sky I added a touch of Naples Yellow. Here I've also begun laying in some local color and suggesting the wall textures.

Early Morning Montidinove, work in progress

I continue to work from back to front, adding color and texture. Here I've also smoothed out the sky a little more.

Early Morning Montidinove work in progress

Here I've begun work on some of the background and mid-ground details like the flower pots. I have now covered the entire canvas with at least one layer of the Atelier paint.