Harvesting Has Begun ;-)

Harvest Shelly Beans, Lettuce Mix, Mixed Baby beets

{Edit: I have no idea how I manage to put this post here, it was supposed to have gone to The Edible Garden blog! My apologies if I have confused you! Stay tuned for more art!} This was my harvest Friday, Oct 21: Hopi Purple Pod beans in their pods weighed 2 pounds, 6 ounces. (the shelled beans weighed 8 ounces), mixed baby lettuces, 3 ounces, mixed beets and greens  were 1 pound and 12 ounces, the roots alone weighed 10 ounces.

Hopi Purple Pod beans as green shellies

Some folks have never heard the term 'shelly' beans. These are simply those sorts of beans that you usually eat as dried beans, shelled out fresh and eaten before they have dried. With frost a possibility any time the next couple of weeks I probably won't get too many pickings but it's nice to have them while I can.  Next year I'll start them much earlier and pick beans in the late summer through fall. When I have them then I also usually have tomatoes and peppers and make garden chili when ever things are ready.


On another note I have discovered another gardening blogger and just love her blog. I have probably spent most of the afternoon reading it! The Empress of Dirt, a woman after my own heart!

LADYBUG ROCKS

A Flock of Ladybug Rocks

After a couple of weeks with no time to paint I managed to paint a flock of ladybugs. I also took pictures and typed up step by step instructions and published a free tutorial: How To Paint Ladybug Rocks. I'm thinking about doing more tutorials, just not sure what to do next, after all, ladybugs are pretty simple. But then maybe some people would like more complex projects to work on?


So this is my entry for Paint Party Friday: I hope you will stop by and marvel at the amount of beautiful art that is all around us and the wonderful artists that share their visions with us.

Now one of the reasons I haven't gotten to a lot of painting lately is because I have been quite fixated on getting as much wall building done as possible before it starts freezing at night and I have to stop the concrete work. Also I've been working in my garden and last week got my first harvest of baby lettuce. Have loads of work to do out there before frost too. I will probably get back to painting more regularly when the weather cools off a bit more.

PS: I just discovered Marsha's Spot with a blog hop for Squidoo writers. Sounds like fun so I've jumped right in and listed this post for the first time.

No Painting this week ;-(

OK, it's been a bit of a crazy week and after work, then coming home to water the garden, feed the bunnies, feed myself, check up on all my web stuff, I have just been falling into bed. So I haven't got in any painting time. I did however, manage to make two calendars over on Zazzle using some past art, so here they are. If I get any thing done Friday morning I'll add it in, but not holding my breath!

Rock Art Dogs 2012 by maryhysong
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I used a lot of the rock art dogs I did back in the spring for this Rock Art Dogs calendar. And for the Cats calendar, I picked some of my favorites from my 30 Cats in 30 Days challenge from last January and February. There were a couple that were just not a good length x width ratio that I had to leave out though.

CATS 2012 WALL CALENDAR by maryhysong
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Italian Sunflowers

Italian Sunflowers, 18x24 acrylic on canvas

All right, was a very busy weekend with 2 birthdays parties, one Sat. and one Sun. And with my daughter and her 3 girls spending the night Sat. night.

But I did manage to finish the Sunflowers. At least I'm going to declare them finished because if I keep mucking about I'm liable to ruin them.

Besides I'm getting the itch to try them in watercolor.....


In the meantime I've added some of my photographs to items in my Zazzle shop.

Italian Sunflower by maryhysong

Sunflowers

Sunflowers, 18x24 work in progress

I have been working on these sunflowers some more this week. It is hard to find just the right shadow color for the big one that is back lit. I've tried several things and am still not quite happy with it.

I'm also really noticing a distortion from my camera; I'm getting a 'fish eye' sort of look, this shot isn't too bad but on some it has been real noticeable. I'm sure it's just a camera setting or something. Will just have to play with it some more.

I'm using Chroma's Atelier Interactive Acrylics. I like how I can blend one layer into the next, but I am giving some serious consideration to trying out some of the new water miscible oils. If you have tried them, please tell me what you like or don't like about them, or if  you prefer one brand over another and why.

Sunflowers

Sunflowers, 18x24 work in progress

One day in Italy we were driving to Sarnano to see the Carlos Crivelli exhibition and as we came around a corner we happened on a field of sunflowers in full bloom. Working from a photograph I took, here they are.

First I drew them, them went over the drawing with diluted regular black acrylic, adding some shading.

Sunflowers, 18x24 acrylic on canvas, work in progress

After the that I washed Raw Sienna over the canvas, lifting out some of the areas that should be the lightest.

Sunflowers, 18x24 acrylic on canvas, work in progress

Here I've begun working on the sky, mostly Cerulean and white with touches of French Ultramarine and Cobalt.

Sunflowers, 18x24 acrylic on canvas, work in progress

Then I darkened it at the top with more Cobalt. I went over the lightest petals of the main flower with white.

I've used some burnt umber and nearly every yellow in my paint box to start on the flowers. Slowly working my way down the canvas.

Bell Peppers

Tonight I decided to try out some more of the handmade paper that I bought at the paper making museum in Fabriano. This is colored a light green and has a smooth side and a rough side. I used the rough side. This quick study of bell peppers was done in Atelier Interactive acrylics. I didn't use much water with them because the paper is pretty thin and I didn't want it to buckle.

This one is done on the same paper with soft pastels and pastel pencils. I don't have a large selection of pastels so I don't have a lot of colors to work with, this was about the best I could do with what I have.

These were inspired by the exhibition I saw in Ascoli of Giulio Gabreielli's (1832-1910) work. He mostly used guache or oil on paper and worked in small sizes. It was really cool to see his little sketchbooks. Also very cool was the fact that many of the buildings and landscapes he painted are still there, in some cases little changed from when he painted them. The exceptions are the additions of electric lines and the exchange of donkeys and horses for cars and motorbikes.

Early Morning in Montidinove, finished

Early Morning Montidinove, left side

Early Morning Montidinove, right side

Well I think I am about finished. If you are just joining me, this is an Early Morning in Montidinove, Italy.  Each diptych panel is 12x24 inches, Atelier Interactive acrylics on canvas. I have posted the panels as separate photos so you can click on them and see them larger than if I posted them in one photo together.

Now out to do a little gardening while I think about the next one!

Early Morning in Montidinove, almost finished

Early Morning Montidinove, work in progress

I think I am nearly finished with this. Here I've straitened up some bits on the pink and white buildings. The perspective isn't quite right on them but I'm going to leave it. I did raise the street in front of the pink building and it does look better now.

Before I washed that right hand building with the purple mix I had coated it with binder medium so it wouldn't lift the layers under neath. Unfortunately the medium is a bit shiney so now I'm getting some glare. Also the area is a little darker than this in real life. 

Early Morning in Montidinove Work in Progress

Early Morning Montidinove work in progress

Here I've been working on the cobblestone street and small details here and there.

Early Morning Montidinove

I wanted the foreground building on the right to be in a darker shadow (and it actually is darker than it's showing up here) so I washed over the whole area with a mixture of Indigo (blue-black) and Quinacridone Red Violet. I then restated the texture. I also adjusted the perspective of the window sills. Then painted over the shrubs and flowers.

The dark shadow area on the street is not black but a combination of Indigo and Burnt Umber. For the cobblestones in that area I just added white. For the cobblestones in the sunny areas I washed the street with a lighter mix of the cobblestone color, then lightened it up with Titanium White and Naples yellow to add the cobblestone texture.
 
I brightened up the pink house a bit with Vermillion+Titanium White and added some white to lighten up the house next to it.

I see a few more bits I need to tweek, mostly small details but I am very pleased with how this painting is turning out.

Early Morning in Montidinove Street Scene

Early Morning in Montidinove  work in progress

I have begun  a painting from one of my photographs, an early morning street in Montidinove. This is a diptych, each panel is 12x24 inches.

First I drew most of it out in pencil. I skipped all the modern electric lines and street signs. Then I went over it in diluted acrylic.

Early Morning in Montidinove, work in progress

Then I toned the canvas with diluted raw sienna.

Early Morning in Montidinove, work in progress

Then I worked on the shading with diluted burnt umber. All of this was done with regular fast drying acrylics.

Early Morning in Montidinove work in progress

Then I broke out my Chroma Atelier acrylics. These are acrylics that can be re-wet and reworked even when touch dry. I like how the new layers of paint melt into the first layers. I think it builds up the color nicer than with regular acrylics.



Here I've begun on the sky, at the very top is a little cobalt blue.

Early Morning in Montidinove work in progress

Then I began adding Cerulean mixed with a little Titanium white as I begin going down the sky, adding more and more white as I go, going back and forth blending it in.

Early Morning in Montidinove work in progress

Towards the bottom of the sky I added a touch of Naples Yellow. Here I've also begun laying in some local color and suggesting the wall textures.

Early Morning Montidinove, work in progress

I continue to work from back to front, adding color and texture. Here I've also smoothed out the sky a little more.

Early Morning Montidinove work in progress

Here I've begun work on some of the background and mid-ground details like the flower pots. I have now covered the entire canvas with at least one layer of the Atelier paint.

My Italian Sketchbook

Church in Pescara, watercolor

Happy PPF a bit early! I have to work early in the morning, so thought I would get this posted before I go to bed tonight. Finally photographed my sketchbook from Italy, pitiful showing for two and a half weeks, though we were busy going here and there! And I have over 3,000 photographs to work from in the future.

Most of these are from a lovely 8x10 sketch book that John gave us when we arrived at The Retreat. It took the watercolor surprisingly well, with minimal buckling.

Street in Force, watercolor & ink

Fountain in Vittoria, pencil

Grape study, watercolor

   

Ivy takes a nap at the beach, pencil

Archway, Montifortino, watercolor

Force, pen & ink

rustico at dawn, watercolor

The beach at San Georgio, pencil

  

San Taddeo, watercolor

Field of Sunflowers

View of Montifortino from Mt. Sibillini

Wine Jugs, the big one is about 35 litres or more

water study, 16x20 handmade paper watercolor

San Taddeo, 16x20, handmade paper, watercolor

 




















These last two, San Taddeo and the water study are done on luscious handmade paper that I bought at the paper making museum, made right there. They have a rough surface and a lot of sizing so they barely buckled when I did the big sky washes. I don't usually go for rough paper, but this was great for the stone texture. I bought about 20 large and 20 small sheets, along with some sheets that are colored but not as thick. I haven't tried them all out yet. 

Montifortino & Italian Scorpions

Italian Scorpion, about 3 inches long

I did not realize before this trip that Italy had scorpions and they are bigger and uglier than the ones we have here at home, I killed this one after I took his picture. Fortunately no one was stung.

On Tuesday morning we headed over to Montifortino, a hill town right on the edge of the Sibillini National Park. The Sibillini's are part of the Appenines, or Italian Alps. I am told that deep in the park is a glacier and that the glacier melt is what is piped to the houses and also sold as bottled water.

Town gate, Montifortino

church window, Montifortino

We parked below the town gate and hiked up to the top of the town. There was an empty church with this unusual brick treatment.

church door, Montifortino

Farther along there was another church, this one seemed to be in the process of restoration. Here you can see the original size of the doorway and how it was bricked in and made smaller.  This is very common in doors and windows in buildings all over.  There was a pretty park like area around this church and we were going to sit and draw. However, a quick black snake darted along and that made Elise quite nervous so we walked back down the hill into the more populated area.

buildings in Montifortino, note the recycling bins on the street

Montifortino

view from Montifortino towards Sibillini Mts.

Montifortino, laundry

If you live in town you hang your laundry out from your windows, like this.

Montifortino, base of the wall around the town

As we left Montifortino we drove around the base of the town.